Janhavi Nikharge

Loco Devanagari

Abstract

While typography incorporates optimising its readability, legibility and graphic balance, it is in enormous part, about its purpose and functionality. In wayfinding design, typography plays a major role by displaying information, and good typography can lead to better communication.

This practice-based research aims at understanding the readability issues of Devanagari typefaces used on LED Dot Matrix Displays in public transport of India and optimise its readability leading to effective communication. The research is approached through development of a Devanagari typeface to understand both aesthetic and technical aspects of the complex structure of Devanagari and maintain its design within the LED dot matrix systems.

  • Phase 1 focused on two key aspects - 1. Studying the anatomy of Devanagari and 2. Studying technical factors that affected the aesthetics of the letterform structures. This phase also involved designing the typeface in Illustrator and Fontstruct; and on Glyphs to a certain extent.
  • Phase 1 focused on two key aspects - 1. Studying the anatomy of Devanagari and 2. Studying technical factors that affected the aesthetics of the letterform structures. This phase also involved designing the typeface in Illustrator and Fontstruct; and on Glyphs to a certain extent.

  • Phase 2 involved completing the whole set of glyphs, conjunct forms, half conjuncts and diacritic marks. Apart from that, it also focused on reflective practice by troubleshooting design-related errors like adjusting the shapes of letterforms by testing in lower resolution to overcome halation of pixels.
  • Phase 2 involved completing the whole set of glyphs, conjunct forms, half conjuncts and diacritic marks. Apart from that, it also focused on reflective practice by troubleshooting design-related errors like adjusting the shapes of letterforms by testing in lower resolution to overcome halation of pixels.

  • Phase 3 focused on developing an Open Type Font using typeface design tools and Open Type Programming. This phase involved coding for Glyph Substitutions and was the most technical phase of this research project.
  • Phase 3 focused on developing an Open Type Font using typeface design tools and Open Type Programming. This phase involved coding for Glyph Substitutions and was the most technical phase of this research project.

  • Artefacts

  • Select Bibliography

    1. Dalvi, G., 2008, Anatomy of Devanagari Typefaces, viewed 14 July.

    2. Govindaraju, Venu., and Setlur, Srirangaraj., 2010, Guide to OCR for Indic Scripts Document Recognition and Retrieval. 1st Ed. 2010. ed. London: Springer London: Imprint: Springer, Web.

    3. Naik, Bapurao S., 1971,– ‘Typography of Devanāgarī, Volume II. Mumbai: Directorate of Languages.